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ABOUT

Biography

Junko Yoda (b. 1943, Tokushima, Japan) is a Japanese-born, New York–based artist whose practice spans painting, installation, and mixed media. A graduate of the renowned Musashino Art University, Yoda’s artistic direction was profoundly shaped in 1966 after encountering American Abstract Expressionism for the first time at The National Museum of Modern Art, Tokyo. The experience, particularly her exposure to Jackson Pollock’s painting Number 8, left a lasting impression that would influence her artistic approach.

Junko making The Hudson, 2006
Junko making The Hudson, 2006
Junko in front of Untitled #L-11 (Susquehanna River), 1994
Junko in front of Untitled #L-11 (Susquehanna River), 1994
Junko relocated to New York in 1969, where she continues to live and work. Soon after arriving, she shifted from oil on canvas to acrylic and washi, traditional Japanese handmade paper, developing a distinctive visual language that bridges Eastern materials with Western abstraction.

Her early career gained momentum with her inclusion in the “New Talent Show” at Zabriskie Gallery in 1978, followed by her first solo exhibition, Painted Paper, in 1980. Her work has since been widely exhibited in both the United States and internationally, including solo exhibitions in New York and Paris.
River of Hiroshima, 2001
River of Hiroshima, 2001
Throughout her career, Yoda has continuously evolved her practice, often drawing from personal experience, memory, and place.

In 2001, while working on River of Hiroshima for the Hiroshima City Museum of Contemporary Art, she witnessed the events of September 11 from her New York studio, an experience that deepened the emotional resonance of the work’s themes of life and love.

During the work on "River of Hiroshima," I saw the horrific destruction of the Twin Towers from the roof of my studio

Her later works expanded into installation and sculptural forms, notably with her series of handcrafted papier-mâché seashells, which led to the exhibition Waves. Critics, including Grace Glueck of The New York Times, have recognized her ability to transform delicate materials into powerful, immersive compositions.

Waves #2, 2004
Waves #2, 2004
The Hudson, 2006
The Hudson, 2006
In 2005, she was awarded a grant from the Pollock-Krasner Foundation, enabling her to further explore large-scale works using washi from Tokushima where she was born. With this washi, she was able to make large-scale artwork, including The Yoshino River and The Hudson, reflecting her enduring connection between Japan and New York.

Recurring themes in Junko’s work include geography, memory, and the passage of time. Her Central Park series, inspired by historical maps and archival material, exemplifies her interest in layering history with personal narrative.

 

More recently, she has incorporated photography into her practice, documenting the evolving New York cityscape, including the iconic 56 Leonard Street building, known more commonly as Jenga Building by New York residents.

Tribeca Skyline (Jenga Building) #2, 2021
Tribeca Skyline (Jenga Building) #2, 2021
Poster for Every Day is Art Day: Fifty Years of the Yoda Family in New York
Poster for Every Day is Art Day: Fifty Years of the Yoda Family in New York
Junko’s work has also been exhibited in the context of her family’s artistic legacy, notably in Every Day is Art Day: Fifty Years of the Yoda Family in New York at Mitaka City Gallery of Art in 2019, as well as subsequent group exhibitions in New York.

The Yoda’s NYC studio home has also been featured in the New York Times in an article, A Family of Three in a SoHo Loft Without Walls

Selected Timeline

With a career spanning over five decades, Junko Yoda continues to explore the expressive possibilities of material and memory, creating works that are both deeply personal and universally resonant.

1943

Born in Tokushima Japan

1969

Moves to New York

1978

Group exhibition “New Talent Show,” Zabriskie Gallery, New York

1980

First solo exhibition, Painted Paper, Zabriskie Gallery, New York

1984–1985

Solo exhibition at Galerie Zabriskie, Paris

2001

Completes River of Hiroshima commissioned by Hiroshima City Museum of Contemporary Art

2004

Begins papier-mâché seashell works, leading to installation-based practice

2005

Receives Pollock-Krasner Foundation grant; creates The Yoshino River and The Hudson

2007–2008

Group exhibition Making A Home: Japanese Contemporary Artists in New York, Japan Society curated by Eric C. Shiner

2008

Presents Shadows of the Clouds, Zabriskie Gallery

2010

Solo exhibition Central Park, Zabriskie Gallery

2019

Every Day is Art Day: Fifty Years of the Yoda Family in New York, Mitaka City Gallery of Art

2022

Family exhibition at Court Tree Collective, Brooklyn

2023

The 3 YODAS, Gallery MC, New York

2024

Group exhibition Post No Bills, NowHere Gallery, SoHo

2026

Group exhibition Sakura: A Season of Becoming, Romanian Cultural Institute

Curriculum Vitae

Education

1962–66 Musashino Art University, Tokyo (BFA)

1967 Musashino Art University, Special Course in Painting

Selected Solo Exhibitions

2014 Gallery MC, New York

2010 Zabriskie Gallery, New York

2008 Zabriskie Gallery, New York

2006 Zabriskie Gallery, New York

2004 Zabriskie Gallery, New York

1984–85 Galerie Zabriskie, Paris

1980 Zabriskie Gallery, New York

Selected Group Exhibitions

2024 NowHere Gallery, New York

2023 Gallery MC, New York

2022 Court Tree Collective, Brooklyn

2019 Mitaka City Gallery of Art, Tokyo

2007 Japan Society, New York

1988 San Diego Museum of Art

1978 Zabriskie Gallery, New York

Collections

Hiroshima City Museum of Contemporary Art

Ohara Museum of Art

Takamatsu City Museum of Art

Tokushima Modern Art Museum

Mitaka City Gallery of Art

Tottori Prefectural Museum of Art

Essl Collection, Vienna

Grants

2005 Pollock-Krasner Foundation Grant 1991 Holbein Scholarship Award

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